Golnaz was born in India to Persian parents. She has lived and worked in Sweden, Iran, France and Switzerland prior to moving to London. She studied Fine Arts at Parsons School of Design in Paris and also holds First Class LL.B and LL.M. degrees in Law. She now lives and works in London. Golnaz mainly works with private clients receiving commissions for children portraiture and has previously also worked with businesses to create illustrations for London based fashion brands. Golnaz also works on collaborations with fashion designers and will be exhibiting these new abstract paintings in Como, Italy late this year.
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For Golnaz, painting is a play with colours – it’s delicious. She has always been fascinated by trees, which were the main subject in many of her previous paintings. Trees represent stability and change, stillness and mobility and more importantly order in the chaos of life. Trees grow into her circular canvas and branch out in endless directions. Influenced by the writings of Carl Jung, she has turned her attention to people. Not just seeing them from an aesthetic point of view but looking deep into their souls, and seeing how their past and life stories have shaped and moulded them into who they are today. In her latest portrait series, ‘The Inner Child’, Golnaz studies photographs from her client’s childhoods to look deeply and intensely at each line, each mark, for hints towards what is not always obvious to the naked eye and to find and paint the hidden story. Working this way, and by asking them to share their fascinating life stories, allows Golnaz a true insight into the inner life of the adults she knows and sees today. This holistic process, with an intense focus on the inner child and life story, creates an energy and connection which feeds into her paintings – some with sad, traumatic childhoods, others sweet and happy, but both equally intriguing.
This journey of painting the inner child started with her own family portrait. “Who looks outside, dreams; who looks inside awakes” Carl Jung. This personally difficult psychological exercise led her to find her current passion; to paint the inner child. She uses oil, as this lends itself well to human flesh colours, and is a medium which she can manipulate well to create the vibrancy of colour she desires. Although her paintings may look ‘realistic’ or ‘figurative’, looking closely reveals how she sees abstraction in the smallest of areas. Her lines (or brushstrokes) are free to appear anywhere – an attempt of making the unseen visible. “Any line I paint, I have seen before in the curves of branches and trees”.
As an Iranian growing up and living in Europe, she has a particular cultural lens. Drawn by her Persian heritage, she also has an ongoing project of painting Nomads of Iran, including Nomadic children. Through her personal and spiritual painting process, she uses mandalas and channels hidden messages (including Persian words and expressions) which add “magic” and another depth to her paintings. As such Golnaz regards painting as an alchemical process. Some of the children are described as being ‘lost in the fabric of life’ or ‘being lost in the wheel of life’. Through her portraits you will observe that new life and meaning is given to all these faces who look back at you and at the world.
Golnaz has also written and illustrated, Family Clacklack, a children story book about a cockroach family. The cockroach characters are very much derived from Persian stories she grew up with and in particular “Khale Soske” (aunt cockroach) who often comes for a visit. It also reflects on migrating, settling and in time adapting to the new land as Iranians have done for centuries. She greatly enjoyed inventing the characters living inside and around the Tree on top of Apple Hill.
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“The artist is not a person endowed with free will who seeks his own ends, but one who allows art to realise its purpose through him” Carl Jung